La última película

Reimagining Dennis Hopper’s 1970 film maudit The Last Movie, it accompanies a disillusioned and delusional American filmmaker (Alex Ross Perry, director and star of The Color Wheel) and his bemused local guide (Gabino Rodríguez, frequent star of the films of Nicolás Pereda) while the former conceives, prepares and ultimately makes a psychedelic Western in the Yucatán. This cult curio in the making critically and romantically explores the aesthetic ramifications of the shift from film to video, employing multiple formats to create an alchemical collage.

Set on the brink of the Mayan Apocalypse and conjuring up the combustive atmosphere and combative spirit of seventies American independent cinema, this fact/ fiction hybrid delves into the fissures of our scattered, globalized era, leaving a host of cinematic clichés in its wake. With humour and passion to spare, La última película looks backwards and forwards at the same time, creating an oneiric gesture toward salvation even as it considers its own demise. Is this filmmaking as criticism? Or a feverish and wry cri de coeur for an art form that has radically altered the way we see the world? ANDRÉA PICARD

ANDRÉA PICARD